Balcony, 5 m up

What to look at

The horizon is just off the top of the frame; heads are far below it.

The car's roof and the shed's roof are fully visible: everything is below eye level.

Mild three-point: verticals converge downward, but gently, because the tilt is only 22°.

What this scene is for

Two figures, a car and a shed from a balcony 5 m up with a gentle 22° tilt. Use it for first-floor windows, terraces, stage views and low drone shots — high enough to look down on everything, not so high that the scene turns into a map.

The mistake it settles

Over-tilting. At 22° the verticals lean only slightly and the scene still reads as a view from a building rather than a plan. Doubling the tilt is a different picture entirely, and most balcony scenes are drawn with far more lean than the geometry calls for.

The camera

Measured off this render

Taken from the same camera model the tool draws with, on the 1340 × 754 PNG above.

Draw it from these numbers

1. The horizon is off the top of the picture, 149 px above the edge. Mark it on a larger sheet, or work from the grid: it is why every roof and every head is below you.
2. Two vanishing points on that line: 208 px beyond the left edge, and 1,579 px beyond the right edge — far enough out that you should match the grid angles instead of chasing it.
3. Nothing here is truly vertical: the uprights lean to a nadir 2,847 px below the picture.
4. Set the scale from the 1.75 m figure at 8.1 m, 227 px tall on the render; the horizon passes above it, so it is shorter than the 5 m camera.

Open the reference in the tool to move the camera, change the lens, or add your own objects at real sizes; the share link keeps your version. Draw over the PNG at 30–50% opacity in any app with layers.